Friday, November 26, 2010
Paying Off!
Tuesday, November 16, 2010
A Very Strange Paintbrush Indeed
Before you read this post, there is a bit of homework involved.
Cut and paste the link below. Watch the whole thing. If you're pressed for time, at least watch the first three minutes.
http://www.youtube.com/watch?v=Cj6ho1-G6tw
Finished? Good.
I saw this link via a friend's facebook page this morning. I watched it in awe, of course. I ogled at the tricks, the control, the precision. Obviously, this Danny MacAskill character has some skills.
Later today at work, I brought it up on the big screen out front so some mountain bike customers could watch it. Usually when you are at a bike store and you play a video on youtube, the response is lukewarm. But this time, everyone was silent. Riveted. The only sound was an occasional "wow." The handling of the bike was nothing less than masterful.
Again tonight at home, I pulled it up and went through it. And this time, finally, I saw it for what it was:
Art.
Here is a person who is using the bicycle as his medium and his surroundings as the canvas. Each sequence of movements is a paint stroke, or a sentence; a conversation with the bench, or the monument, or the fence, or whatever else he happens to be in the space. There is a constant interaction. He isn't limited by what surrounds him in any way, quite the opposite: he's inspired by it.
Show me an artist who doesn't have the same types of interactions, conversations, or inspirations when crafting their work. What artist doesn't invoke an image or a thought, what author doesn't pull from life, what musician doesn't try to capture the feeling of an object?
Which is yet another reason why I love this damn sport.
Of course, a bicycle is an odd type of paintbrush. And of course, not everyone who rides a bike is an artist, just like not everyone who draws a picture is an artist. But trials riding isn't done for the purpose of physical exertion. You aren't going to be racing, or doing intervals. And while you may compete, the competition is to see who can create the most exciting composition, not to see who is mightier. It's to see who can become the most cohesive part of the bicycle, who can internalize it the most seamlessly. What other sport, honestly, can have the same niche that trials fills? The same improvisational, skillful, and yes, beautiful relationship between person and equipment and place?
Exactly.
And let's face it. Who wouldn't want to be able to do that, have that sort of complete and automatic internalized skill, that it happens seemingly without thought; an instinctual comfort with the bike?
The good thing about bikes, though, is that if you ride them enough, if you practice enough, you can be functionally comfortable and natural on them. Not an artist, but at least an amateur, able to glide around a trail or remove your arm warmers in the middle of the hammerfest or track stand at the stoplight. Everyone can get on and spin in circles and move from point A to point B. I am living proof of that. Not everyone can sit on their top tube and touch the ground while cruising down the road at 17 mph. It is this distinction that separates someone who bike rides and someone who rides with their bikes.
It is the "with" that is special, that can elevate sport to art.
Think I'm full of it?
Go watch the clip again.
Now try to say the same thing.