
This is an ode of sorts to my favorite bike. My Purple bike. There are several reasons why this bike should be at the bottom of my stable:

Before you read this post, there is a bit of homework involved.
Cut and paste the link below. Watch the whole thing. If you're pressed for time, at least watch the first three minutes.
http://www.youtube.com/watch?v=Cj6ho1-G6tw
Finished? Good.
I saw this link via a friend's facebook page this morning. I watched it in awe, of course. I ogled at the tricks, the control, the precision. Obviously, this Danny MacAskill character has some skills.
Later today at work, I brought it up on the big screen out front so some mountain bike customers could watch it. Usually when you are at a bike store and you play a video on youtube, the response is lukewarm. But this time, everyone was silent. Riveted. The only sound was an occasional "wow." The handling of the bike was nothing less than masterful.
Again tonight at home, I pulled it up and went through it. And this time, finally, I saw it for what it was:
Art.
Here is a person who is using the bicycle as his medium and his surroundings as the canvas. Each sequence of movements is a paint stroke, or a sentence; a conversation with the bench, or the monument, or the fence, or whatever else he happens to be in the space. There is a constant interaction. He isn't limited by what surrounds him in any way, quite the opposite: he's inspired by it.
Show me an artist who doesn't have the same types of interactions, conversations, or inspirations when crafting their work. What artist doesn't invoke an image or a thought, what author doesn't pull from life, what musician doesn't try to capture the feeling of an object?
Which is yet another reason why I love this damn sport.
Of course, a bicycle is an odd type of paintbrush. And of course, not everyone who rides a bike is an artist, just like not everyone who draws a picture is an artist. But trials riding isn't done for the purpose of physical exertion. You aren't going to be racing, or doing intervals. And while you may compete, the competition is to see who can create the most exciting composition, not to see who is mightier. It's to see who can become the most cohesive part of the bicycle, who can internalize it the most seamlessly. What other sport, honestly, can have the same niche that trials fills? The same improvisational, skillful, and yes, beautiful relationship between person and equipment and place?
Exactly.
And let's face it. Who wouldn't want to be able to do that, have that sort of complete and automatic internalized skill, that it happens seemingly without thought; an instinctual comfort with the bike?
The good thing about bikes, though, is that if you ride them enough, if you practice enough, you can be functionally comfortable and natural on them. Not an artist, but at least an amateur, able to glide around a trail or remove your arm warmers in the middle of the hammerfest or track stand at the stoplight. Everyone can get on and spin in circles and move from point A to point B. I am living proof of that. Not everyone can sit on their top tube and touch the ground while cruising down the road at 17 mph. It is this distinction that separates someone who bike rides and someone who rides with their bikes.
It is the "with" that is special, that can elevate sport to art.
Think I'm full of it?
Go watch the clip again.
Now try to say the same thing.
The play by play is bogus. So many cool things to discuss, but until I know exactly what will come to fruition and what isn't meant to be I don't want to reveal too much.
But the overall roundup? That is something I can go into. Boy, can I go into it.
In a nutshell?
This industry rocks.
When you go to a trade show, it's impossible not to come away with a flavor in your mouth; a taste of the type of person who makes the livlihood their life. I've been to publishing trade shows, where intellectuals constantly attempt to out intellectualize each other. I've been to high end jewelry trade shows, where "intellectual" probably wouldn't describe any of those in attendance. The former has attendees in rumpled, slightly dirty khakis, frumpy tops, and old Nike sneakers. The latter has women with boobs up to their chins teetering around on pixie stick heels and men with slicked back hair in Gucci suits.
Then there is Interbike.
It's not so much that I didn't see women with boobs up to their chins, or men in rumpled, slightly dirty khakis. It's that none of that seemed to matter.
Cyclists are cool people, pretty much across the board. I don't know how this phenomena came to pass, but there it is. Cyclists are also really stoked about bikes, and not in an uppity kind of way. In a five year old with the latest GI Joe figure kind of way. In a joyful way. The people who work at all the various companies are really, truly excited about the latest/greatest thing that their company is putting out, because they all ride bikes, and they are all excited to get to ride/use the newest, latest, and greatest themselves. I don't care if it's sunglasses, blinkie lights, clothes, wheels, gloves, shoes, socks, handlebars, handlebar tape, tools, lube, cleaners, hubs, stems, messenger bags, spokes, rims, pedals, cleat covers, helmets, cables, cable housing, bells, baskets, racks, trainers, storage systems, cranksets, or chainrings: someone at that show is super excited about them.
What that makes for is a whole room full of mostly cool mostly super excited people talking to other mostly cool mostly super excited people about bikes.
Awesome.
Also, the entire cycling community represented. BMXers had a rail jam party, and dominated their corner of the show with loud music, tight jeans, and ear gauges. The Italian Pavilion was swathed in red carpet, with each bike being presented as a work of art (which they were). You had the townie bikes and the single speeds and the mountain bikes and the road bikes and the folding bikes and the electric bikes and the big names and the small names and the even smaller names and the no names and the so huge we will crush you names, all in one place. Every booth had its own atmosphere and pizazz, its own story to tell. If that story grabbed you, fantastic. If not, you still had the chance to see some amazing new machines.
And that is pretty much that. I wish I had more to say about it in a larger, overall sense. But I don't, I met great people, I saw great stuff, I had a great time, and I learned a great deal.
And, for everyone who is reading this entry with jaded eyes thinking, "She's so naive, just wait a few years, she'll become blasé and bored about it all eventually."
Maybe. But your boredom doesn't equal wisdom, and my enthusiasm doesn't equal naivety.